By now, 41 of the exhibitions connected to the Getty’s Pacific Standard Time project have opened across Southern California, and one of those exhibits contains material borrowed from the Clark!  PST seeks to investigate and celebrate the birth and life of the Los Angeles art scene from 1945-1989, and encompasses every major L.A. art movement during that period.

At the Norton Simon Museum in Pasadena, curator Leah Lembeck has assembled Proof: The Rise of Printmaking in Southern California, for which she asked to borrow the original woodblock of Paul Landacre’s Lot Clearing to accompany an original print already in the Norton Simon collection.  Several other Landacre items from the Clark’s collections will be included in the accompanying catalog of the exhibition.